![]() I'm just going to go hard on the internet.’ So I did. “Once I got back home, I just had the mentality of, ‘Fuck the industry,’” Taylor adds. I ain't making shit.’ I was thinking, ‘So I'm making more money on the internet selling $30 leases than most of these fuckin' industry producers?’ I had no idea.” He was like, ‘Industry money? Where's that at? Man, I made like $15,000 last year. I was telling him I was trying to get this industry money or whatever. ![]() “I'm not going to say who he is, but he's cool with Metro Boomin and all these people. “I remember meeting up with an industry producer in Atlanta who I fucked with at the time,” he says. In no time, Taylor was pulling in $100,000 a year online and had ambitions to cross over from “internet producer” to traditional industry success. From there, Taylor took advantage of an increasingly popular practice of leasing low-priced, non-exclusive beats to multiple artists at once, and his career took off beyond anyone's expectations. Then he tapped into a growing market for "type beats" on YouTube. In 2011, he found success contacting artists directly on Twitter before that became standard practice. ![]() So my parents were just like, ‘What the fuck? Well, I guess this is the first dollar you actually earned yourself, so keep at it.’ I kept at it.”įrom the jump, Taylor had a knack for the business side of being a producer. “My mom couldn't believe it,” he remembers. After making a couple "trash beats," he ended up selling one for $250 on a graphic design forum in an attempt to help pay medical bills. Pulling from his background as a guitar player in rock bands growing up, Taylor got to work familiarizing himself with FL Studio. At the age of 25, he already has a proven track record of materializing those wild ideas into reality.Ī seventh grade dropout, Taylor played around with the idea of being a graphic designer as a teenager, but he was forced to try something new when his mother was diagnosed with cancer as he approached his twenties. It would be a mistake to doubt anything he says, though. It’s impossible to speak with Taylor for more than a few minutes without hearing him describe grand plans for the future. I'm having a spot upstairs for video editors to pull up and edit their videos, too. “I'm signed with Alamo and Interscope, so why don't I have Smokepurpp come out here for a week and we do a whole album? Wifisfuneral is actually coming out here in July and he's staying for a whole week. “I was just thinking, what if I did a whole Internet Money house where all the producers have their own rooms and we're just working 24/7 with a big ass studio?” Taylor says. It also marks the latest step in Taylor’s wildly ambitious plan to change the way the music industry operates. The house serves as a home base for his crew of producers to hang their gold and platinum plaques from records with artists like Juice WRLD, Lil Skies, and XXXTentacion. Nestled in the hills of Los Angeles, the property is Taz Taylor’s latest investment in his growing empire at Internet Money Records. If you visit the Internet Money mansion on any given night, you’ll run into a handful of rap's most successful and influential young producers.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |